All posts by DH

Wild Horses and Mustangs

Music & Lyrics: Marie-Lynn Hammond

Do all you can to protect wild horses and mustangs—there are those who want them gone.

 

Chorus:
Wild … wild horses and mustangs
who can measure what a wild heart is worth
wild … wild horses and mustangs
they fly on the winds of freedom
they are the spirit of the earth

See the palomino stallion
see the sorrel mare and the bay
a buckskin and a blue roan
a pinto and a gray
all the colours of the seasons
all the shades of this ancient land
all the colours of your deepest dreams
in this little mustang band

Chorus

See them racing through the canyons
see them running on the midnight plains
starlight on their gleaming flanks
moonlight in their manes
hear the thunder in their hoofbeats
see the lightning in their flashing eyes
may they gallop on forever more
under these endless skies

Wild … wild horses and mustangs
who can measure what a wild heart is worth
wild … wild horses and mustangs
they fly on the winds of freedom
they are chasing the winds of freedom
they are the spirit of the earth

 

New Horse Song in the Works!

I thought that the horse-song CD would have the nice round number of ten songs on it and I had all the new songs written. Then a very cool thing happened: a horsewoman I’ve never met commissioned me to write song no. 11!

And what an amazing true story the song’s about! Perhaps the Korean War’s most unlikely hero: a little Mongolian mare named Sergeant Reckless. You can see a video about her at 

So “The Ballad of Sergeant Reckless” is joining the herd. You “herd” it here first!

 

New Website Launch!

Designed by Carol Noel and implemented with much ingenuity in WordPress by Hollis Morgan. Some elements of the site are still works in progress, but hope you like it so far!

TWO new CDs Coming!

Yes, two. Because I’m nuts and enjoy being poor. 🙂 But mostly because after a long dry spell,  the songs started pouring out and demanding to be written and recorded, and I couldn’t seem to close the floodgates!

Creatures contains songs about human creatures, animal creatures, the environment, and all their interrelationships. (Oh, and even one about a heavenly creature too!) At least one will be in French, and genius musician David Woodhead, who produced Pegasus, is producing again.

Hoof Beats, because there’s almost nothing out there like it. All songs at least 50% about a real or legendary horse – none where the horse is merely a metaphor or a passing mention. Contains songs from previous CDs, plus new ones. An extension of my EP Two Old White Horses.

You can pre-order or support these projects by become a sponsor and using this online form.

Here’s a list of the songs so far…

Computer Cowboy (CD-EXTRA content)

Music & lyrics: Marie-Lynn Hammond

We put this song on the CD-ROM portion of Pegasus because by the time I released that CD, some lyrics were already obsolete.
(see “unplugs his modem,” etc., below). 

He used to own a pony, now he’s got no time to ride
instead he’s got a mouse thing with a clicker on either side
he used to stick to the range now he says “I go where I please” (and he does!)
‘cuz instead of punchin’ cattle this cowboy is punchin’ keys

Chorus:
He’s my computer cowboy,
cruisin’ down that lonesome information trail
he’s my computer cowboy, obsessing with his new toy
while me I’m prayin’ that the power’s gonna fail

These days he’s crazy ’bout Adobe and he’s quick on the Corel Draw
but still he keeps insistin’ that his system has a major flaw
he says “I need a bigger hard drive to improve my capability, and I say
“Honey, get a life! The one that you’ve got sure looks plenty big enough to me.”

CHORUS
He exits at eleven, says he’s feeling tired
he unplugs his modem but I’m still wired
so we go to the drive-in but it just ain’t fair
I can’t sit on his lap ’cuz his laptop’s there!

I got my own software package, it’s the kind that makes other men sweat
but he don’t seem to notice ’cuz he’s too busy surfin’ the Net
we used to ride all night in the moonlight’s silvery sheen
but now the only dates we have are by the light of his monitor screen

CHORUS

Why look at that, the screen went blank!
I wonder what goddess I have to thank?
come on honey, you can fix it later
I think it’s time that we merged our data
what’s that you say, you want to reboot?
well I hope that’s just your way of being cute
now listen to me, you cyber scout
if you reboot I’m gonna boot you out!

CHORUS

When Leonard Cohen Sings (CD-EXTRA content)

Music & lyrics:  Marie-Lynn Hammond

Written in the mid 1990s, this song is now several Leonard-Cohen-girlfriends out of date…

I’m sitting in a coffee shop one ordinary day
the radio is blaring out an ordinary tune
ah but then a Leonard Cohen song comes on and right away
the sun sets and the sky turns dark, save for a mournful moon
and the customers start waltzing in a slow and dreamy fashion
and the cashier weeps remembering some ancient crime of passion
and yet I’m not surprised – I know these are the kinds of things
that happen when Leonard Cohen sings

It’s four a.m. on Clinton street, I’m feeling pretty low
so I strum my favourite Leonard tunes and I haven’t long to wait
till the sky fills up with fireworks, or bombs for all I know
and Joan of Arc comes riding by and stops before my gate
and her soldiers fill the streets and now they’re bursting through my doorway
and Joan just shrugs when I demand the reason for this foray
and yet I’m not afraid – I know these are the kinds of things
that happen when Leonard Cohen sings

Ah when Leonard Cohen sings
the broken dove flies up on trembling wings
and I become a child again and yet I’m as old as time
I am the song of Solomon, I am a nursery rhyme
I sit here in the dark regretting all my hopeless flings
when Leonard Cohen sings

Bridge:
And when he sings “Show me slowly what I only know the limits of,
dance me to the end of love,” it takes my breath away
for those lines I’ll forgive his tinny synthesizer solos
I’ll even forgive him that Rebecca de Mornay!
la la la la la la la la la la la
la la la la la la la la la 

I’m in a huge cathedral now and Leonard’s standing near
my hands are gnarled and spotted, my hair is thin and grey
and I don’t know how this came about, I don’t know why I’m here
but I was humming “Closing Time” when I woke up today
and the saints above and fiends below are battling to possess me
till Leonard smiles and tenderly commences to caress me
he is my Prince of Darkness and he is my King of Kings
and I die happy, as Leonard Cohen sings

Ah when Leonard Cohen sings
the trembling dove flies up on mended wings
and I become a child again and yet I’m as old as time
I am the song of Solomon, I am a nursery rhyme
I yearn for pure and burning love detached from all its strings
when Leonard Cohen sings
when Leonard Cohen sings

My Fabric Art Book


“A book I made in my early 20s while at art school in reaction to the hard-edged, flat “masculine “painting that was all in vogue then…Not a school project, just something I did on the side because I loved embroidery, fabric, trims, etc.”

From My Fabric Art Book, posted by Marie-Lynn Hammond on 8/20/2011 (8 items)

Generated by Facebook Photo Fetcher


My Front Yard Saga

And then there’s my front yard saga: moved to a small town and didn’t want to douse my yard with poisons just to kill off the dandelions, the way so many of my neighbours seemed to be doing. This was my solution:


From My Garden Transformation, posted by Marie-Lynn Hammond on 6/10/2009 (19 items)

Generated by Facebook Photo Fetcher


The Bridge

©1987 Marie-Lynn Hammond

This is a story about geography – physical, cultural, emotional. To understand it you have to remember that Canada’s capital, Ottawa, is situated on the Ottawa River, which at that point, and for several miles in either direction, also forms the boundary between the provinces of Ontario and Quebec. Across the river from Ottawa is the city of Hull, but don’t be fooled by the name: Hull is French.

In the real old days, there was only one bridge between the two cities, the Interprovincial Bridge, and even I can remember a time when the Ontario side of the bridge was paved, and the Quebec side wasn’t. When you saw the sign halfway across saying “Bienvenue au Quebec,” and your car wheels hit those wooden planks, well – you knew something had changed. Continue reading The Bridge

A Moment Of Grace

©1987 Marie-Lynn Hammond

Because there was a reunion a few years ago for the high school I write about below, I’ve changed a few of the names in the story … don’t want to embarrass anyone from those days. But, Roger and Gordie, I didn’t change yours. 🙂

In 1962 my dad, an RCAF pilot, was posted to St. Hubert, Quebec, near Montreal. As often happened, there was no house available on the base, so we found ourselves living a few miles away. Beloeil was a pretty little town on the Richelieu river, but we ended up in one of those modern, faceless suburbs. Our subdivision was so new that from our backyard all you could see, besides one more row of houses, were farmers’ fields.

The surrounding landscape was flat and unremarkable – except for one feature. Scattered about at ten or fifteen mile intervals were mountains – or rather, very large hills, that rose suddenly out of the level ground and just as suddenly fell back. To the north were the Laurentian mountains, so to me these elevations looked like stragglers who’d been left behind by the main herd.

The closest, and most imposing of these mountains was Mont St. Hilaire. I had just started my second year of high school, and I spent a lot of time staring out the classroom window at it. I had reason to – no one was talking to me. To be fair, I wasn’t talking to anyone either. Not only was I the new kid in school, I was younger than my classmates, shy, plain, and a borderline nerd who got good marks. Continue reading A Moment Of Grace

Leaving Room for the
Holy Ghost

©1987 Marie-Lynn Hammond

 

The summer I turned fifteen, my air-force father, who was head of Intelligence for Northern NORAD, was posted to North Bay, Ontario. We were living near Montreal and I liked it there. I did not want to move.

My distress grew with my first glimpse of North Bay. Back then it was much more rough and ready than it is today. We lived downtown, but our street wasn’t paved. Friday nights, teenage boys got drunk and openly brawled. But the really bad news was this: I would be going to – ugh! – a girls’ school run by nuns. Don’t get me wrong, I was a good Catholic kid. But I’d been in co-ed schools for the past four years. Though I wasn’t exactly popular with boys, as long as they were around, I could always dream.

Besides a serious lack of the opposite sex, St Joseph’s College also had the ugliest uniform I’d ever seen. The blouses were beige, the drab tunics with their big boxy pleats were brown – my two least favourite colours. Plus we had to wear the preposterous combination of nylon stockings and clunky Oxford shoes. If the aim of this get-up was to make us unappetizing to guys, then it succeeded in spades.  Continue reading Leaving Room for the
Holy Ghost

Four Strong Canadian Winds

©1987 Marie-Lynn Hammond

When I was growing up I knew I was Canadian, but I had only a vague sense of what that meant. I had a much better sense of what it meant to be American, and I’m sure, back in the fifties, I wasn’t alone in that. For one thing, most of the television shows we watched were American. So were my comics and story books. And since this was pre-Raffi days, the records I had were American too. I knew all about Paul Revere and George Washington, but nothing about Riel or Sir John A. I knew “Yankee Doodle” by heart, but not “Un canadien errant.” And when I listened to Pete Seeger singing “I got a mule and her name is Sal / fifteen miles on the Erie Canal” – well, I was sure the Erie Canal was the most magical and exotic place ever. Already by the age of eight I desperately wanted to be a Yank. Continue reading Four Strong Canadian Winds